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Digital Guide: The Artists of Colour: Abstracted Realities

October 7, 2022 – February 19, 2023

AWE in the Schools: The Artists of Colour Display brings art directly to students and teachers in Windsor-Essex with a pop-up art display. This display showcases reproductions of artworks by The Artists of Colour (TAOC), a group of artists who aim to give voice to Black artists’ histories and experiences through the visual and oral language of art.

These reproductions have been selected from The Artists of Colour exhibition titled The Artists of Colour: Abstracted Realities, which was displayed at Art Windsor Essex October 7, 2022 – February 19, 2023.

Schools also had the option to choose between in-person activities facilitated by members of The Artist of Colour. The activities incorporate storytelling, performance, music, and visual art. This projects encouraged both teachers and students to learn about Black history in Windsor-Essex. It also gave students a chance to meet with elders who are descendants of Freedom Seekers and important Black figures and learn from their stories.

The Artists of Colour: Abstracted Realities

” The voices of black artists reverberate through history from ancient times. They cannot be ignored. No longer absent from historical records, they continue to speak independently through media of visual art, music, and literature. The process of selective filtering has been practised in art throughout history and has rendered the black artist as invisible and without credible skill or talent. The fact that works of notable black artists of the past have been excluded from mainstream art galleries for centuries highlights a form of abstraction. Our collective voices must be raised in protest.

Today the works of many eminent Black artists are recognized as historically significant contributions and have taken their place beside other influential artists. The works in this exhibit are the narratives of The Artists of Colour.”

– The Artists of Colour

About: The Artists of Colour

Formed in 2008, The Artists of Colour have become a positive voice through art forms by black artists within the Canadian Diaspora. The Artists of Colour is a group comprised of artists whose mandate it is to speak boldly of our history through the visual and oral language of art. It is our desire to showcase the works of black artists along with artists of diverse backgrounds, both the professional and the novice, within a professional exhibition.

We want to draw awareness to the artistic expressions of this hidden and notable talent. In addition, we wish to teach and encourage novice artists to launch into the professional art world so their creative talents can be seen and appreciated. Our goal is to present art in a positive light that will develop a greater understanding and appreciation of cultural diversity and how we, the visible minority, view ourselves and our world in terms of our own realities.

The Artists of Colour has encouraged and showcased the works of some of Ontario’s and of Michigan’s nest aspirants. We provide “hands on,” art lessons, educational workshops and guided school tours of the exhibition. It is our goal to be a platform and a catalyst to encourage creativity and to cultivate excellence.

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Installation Images

Scroll through the images to explore the exhibition, The Artists of Colour: Abstracted Realities.

  • What do you see in the artwork? Can you name the colours, shapes, or objects?
  • How does this artwork make you feel? Happy, curious, calm, or something else?
  • If this artwork could talk, what do you think it would say?

Watch the video tour!

Click on the video below to watch a walkthrough of the exhibition The Artists of Colour: Abstracted Realities.

About the Works and Artists

Meet the members of The Artists of Colour and learn more about their works and artistic practice.

Lois Larkin, The Walker House, 2015, Acrylic

About the Artwork

When, as a child, I lived at 309 McDougall Street, which was known as the Walker House, I was not aware of its social, political, or economical place in history.

As you know, the welcome mat has not always been fully extended to people of colour, (a phrase my father and people of his generation preferred if he had to be described as other than Canadian).

That limited welcome mat was not totally a bad thing. It made us as a people aware of our own ability to create and generate our own welcome mats. Our community had its own doctors, ministers, shopkeepers, journalists, musicians, barbers and hoteliers.

And so it was that my great Uncle George Smith, my grandfather John Alexander Smith purchased the Walker House before the turn of the twentieth century. They purchased the building from two brothers, Mr. Edward Walker and his older brother, Henry, who founded the rst, probably, but not the only hotel owned by Black men in Windsor.

After the death of his brother, George, John A, managed the Walker House and at his death, in 1940, his eldest son George took the helm. Young George was not the businessman his forebears were and when George enlisted in the Canadian Army at the onset of the war, his brother John Ronald took the responsibility of management intermittently between 1934 and 1939. In 1942, he moved his family to Windsor permanently.

The hotel provided clean, adequate lodging for travelers who otherwise might have had to sleep in a less hospitable environment. A good meal was available in the dining room, and it was, in general, a social meeting place. Men played checkers and cards in the Men’s Beverage room and in the bar.

Ladies met in the Ladies’ lounge and if they were escorted, ladies went into the dining room with the gentleman.

World War II brought many changes in management. Hours of operation were limited; food and alcoholic beverages were rationed.

The general look of the hotel changed. The couches and carpets were removed from the Lady’s beverage room. Ladies, rather liberated women also began to go into the dining room without escorts. But that’s another story….

In 1963, my father, last owner of the hotel, was expropriated by the City of Windsor and the Walker House became a part of Windsor’s history.

January 13, 2001, my family dedicated a tombstone in Drummond Hill cemetery on Lundy’s Lane in Niagara Falls Ontario to my great, great grandparents. He an escaped slave from Maryland, she, an indentured servant from Campbelltown Scotland.

Imagine the foresight and courage this man had, to travel the Underground railway, it is reported, with a woman, small in stature, who carried a rie, in order to have his ospring born free. It made possible, the existence of the Walker House and the other enterprises initiated by my great grandfather, my grandfather, and my father.

Lois Larkin

Lois Smith Larkin was born in Niagara Falls, New York and moved to Windsor with her parents and younger brother when she was seven. A product of the Windsor school system, she earned her bachelor’s degree from the University of Windsor, majoring in Fine Arts History. Lois, an elementary school teacher, following graduation, became an elementary school librarian. She has been honoured with the title “Griot”. Griots are the ancient story-tellers of Africa—the repositories of history, the guardians of tradition. Now retired, she continues her pursuit of the art of storytelling through representational painting. Lois is a charter member of The Artists of Colour.

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Connie Lee-Turner, Grandfather, 2022, Acrylic on Cotton Duck

About the Artwork

Elmer Forrest Hall was born Feb 12, 1895, in Colchester Twp, Essex, ON, Canada. The Hall family were farmers in New Canaan, ON. Elmer married Olive Land and they had three children, Louis, Cleo and Eleanor. Elmer joined the Canadian Army and was stationed in Germany in W.W.I.

The Hall family were one of the many black descendants who escaped from slavery in the United States.

I am here today because of their strength and bravery.

Connie Lee Turner

Connie Lee Turner was born and raised in Windsor, ON. A widow with two grown children. After retiring from General Motors and looking to occupy her time productively, the many styles of painting and the application of so many mediums used to produce it caught her interest. A hobby has now become a voice to speak about life and the everyday world we live in. Being of mixed heritage, Black and Chinese, the painting of her maternal grandfather, a black man and a proud soldier for the Canadian Army in W.W.I, and her father from Guangzhou, China, has been a rewarding challenge. The fortitude and determination to leave their home and country has given her confidence in expressing her art in a world that is changing constantly.

“I enjoy painting everyday life, calm and peaceful subjects that make the viewers wonder about who, what and where are the subjects I like to paint. My medium is acrylic. I am a founding member of the Artists of Colour and have been involved in their exhibits and various presentations for 13 years. Being joined by like-minded individuals of the A.O.C has inspired me to be proud of who I am, as I strive to grow and learn to navigate today’s world.”

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Dennis K. Smith, Studying the Masters, 2010, Acrylic on Canvas

About the Artwork

It is the works of Henry O. Tanners’ inspired this painting “Studying the Masters.”

While attending OCA I don’t recall ever having the works of notable black artists included in my studies. Great artists such as Jacob Lawrence, the most widely acclaimed African American artist of the 20th century, and Henry Ossawa Tanner, the first African American painter to gain international acclaim.

It wasn’t that the information and examples of works of black artists wasn’t there, it’s just that my art educators felt that it wasn’t important for me to glean from these exquisite portrayals of struggles and triumphs by these notable artists of colour.

While visiting the Toledo Art Museum back in 2010, a bus load of fellow artists and myself enjoyed the day studying and being inspired by the paintings of some of the Dutch painters and other significant artists.

After the trip I thought of one artist’s artworks that wasn’t there and I wish I could have had the opportunity to study up close, and that was the work of Tanner. On returning to my studio, I decided to record the day trip through this painting. I decided that I would hang Tanner’s “Banjo Lesson” in my painting as my tribute to his creative perspectives of the world which I live.

Dennis K. Smith

Dennis K. Smith is a painter whose work transforms the ordinary into the extraordinary, visually telling his story for over sixty years. Known for a calm, reflective style, he likens his approach to a “crooner,” delivering art with quiet sentiment. Dennis is the President and Co-founder of The Artists of Colour.

He explores abstraction to selectively filter visual details, highlighting how the contributions of Black artists have often been overlooked in mainstream galleries. His work emphasizes the importance of preserving Black narratives in art, music, and literature, ensuring their stories are seen and valued rather than muted or simplified.

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Lana E. Talbot, The Crossing, 2017, Acrylic

About the Artwork

I believe that my life’s purpose has been to help others become a positive voice through art forms by Black artists within the Canadian Diaspora.

I am involved with the Artists of Colour, a group comprised of artists whose mandate it is to speak boldly of our history through the visual and oral language of art. It is my desire to bring awareness to the history and possible hopeful, freedom-filled futures of Black Canadians so that our professional and creative talents can be seen and appreciated.

As I state in the mission statement for The Artists of Colour, I want to present these artistic expressions in a positive light that will develop a greater understanding and appreciation of cultural diversity and how we, the visible minority, view ourselves and our world in terms of our own realities.

This passion has been the guiding principle in my life. I tend to have very visible feelings, to wear my heart on the outside of my body. My goal has always been to encourage people to see the heart, to make their hearts visible, and to look for the truth in every situation that speaks to and of the heart. I believe that this is how we keep learning about people we do not understand, and that will bring some of the anti-racist future that we so desperately need.

Lana E. Talbot

I was born while the earth was shaking. I was born into a world shaken by injustice and dehumanization, a world literally exploding. I was born on August 7th, 1945. The atomic bomb falling on Hiroshima affected my mother deeply and she reminded me throughout my life that my birth happened at a moment of massive pain and injustice.

The global circumstances around my birth have been very present to me as my life made its way to today. I developed the talents that flowed into me early, growing in the artistic arts, singing and drawing at 5 years old, artistic skills that I have worked on over the years, but the most valuable to me was my innate sense of justice, and more than that, of compassion for my fellow humans.

The compassion I learned first from my mother and great-grandmother grew in me into a passion for recognition and freedom for all people. I have always focused on what I believe matters, sticking with my desire to develop the root of compassion and human understanding that infuses all of my work.

The anti-racist effort that has dominated my heart is evidence of the ribbon of love that has bound my whole life together, from my close connections with my great-grandmother to the loving relationships I have with my great-grandchildren. We are all one, and that has been very clear to me every day.

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Nicole Talbot, Striving for Excellence, 2019, photograph.

Nicole Talbot

Canadian artist Nicole Talbot is a portrait photographer who combines her love of people, landscapes, city life, music, and colour to help express the moment she is capturing. She silently watches and wonders, interpreting through her lens. Through many artistic influences, she is being molded into an expressive artist whose works sometimes whisper and at other times shout.

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Manzella Vincent, The Medicine Man/Healer, 2015, human hair, acrylic, canvas fabrication

About the Artwork

My series shows changes from classic African Masks featured in my first four African masks to a softer facial and physical appearance in my last two masks. They represent the evolution of Western culture’s opinion on today’s African Civilization.

Manzella Vincent

Manzella’s Bronze African sculptures, collectively named, “Casting My Culture”, which were sculpted and cast at the University of Windsor Foundry, have been displayed at the Artists of Color Exhibit in recent years. Her lamped worked glass beads and fused glass designs were also displayed at the Art Gallery of Windsor and the International Art Gallery of Detroit, Michigan. Manzella Vincent’s accomplishments have brightened the lives of humankind

Jim Walls, Positivity, 2022. Narrated by Stacey Griffith.

About the Artwork

A life filled with misery and woe, relief was found in song. Music for the slaves was so important on the plantation. Music provided temporary relief from the pain and suffering of everyday life. There were three categories of songs: religious songs, work songs, and recreational songs. These songs often talked about going to heaven. The rhythmic hymns helped workers synchronize their work. Often embedded in the words of a song were coded messages which would provide encouragement and hope that escape was at hand.

Amazing Grace was written by a reformed slave trader, John Newton, and is a celebrated song of hope and redemption. POSITIVITY, Jim’s original song, is presented as a song of hope, redemption, and encouragement for today’s seekers of a brighter future.

Read the Poem

I know where I’m going,
The skies are clear and that star Is brightly glowing.
I wonder in my life
If there’ll ever be, e,e
A place for me
In a world thats free.


My heart is yearning For all the things I know I should be
learning
In a world so full
Of opportunity
That I should never fear There’s no place for me.

Positivity,
positivity.


I’ll join the race but at my own pace I’ll be sure to succeed
You don’t have to win
To know there’s a victory.
Just take my hand
And then let me stand
On my own and you will see
That I can do most anything I believe…..


My mind is steady
And when I’m on my own
I will be ready,
To face the world and my responsibility… I’ll do whatever’s
best for me
I’ll live a life of dignity
I know I can control my destiny.

Positivity…..positivity…..positivity.

Jim Walls

Jim Walls is a retired educator who spent thirty-five years as a Special Education/Music Teacher in Windsor, Ontario, with the last fifteen years as an elementary school Principal. As a youth, Jim loved sports and music, studying piano and saxophone, which inspired his career in teaching and led to a BA, B.Ed., and master’s degree.

During his teaching career, he studied drama, music composition, and music theatre, integrating them into school programs. His first school production was “Big Bird Discovers the Orchestra,” adapted from Sesame Street records. Jim’s first stage role was Booker T. Washington in Windsor Light Music Theatre’s “Ragtime,” sparking a lifelong passion for performance. He performed with many local companies, including Music Express, Theatre Alive, and Windsor Light Music Theatre.

After retiring in 2005, Jim expanded into film and television, while continuing his love of jazz piano with the band “Trading Places” and providing music for Encore Production’s Rumrunner Reviews. As a performance artist and member of the Artists of Colour, he values collaborating with talented peers and advocating for the arts.

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Susan Johnson-Washington, Why Don’t They Just Leave?, 2016. Acrylic on Canvas

About the Artwork

I Shall Be the Voice for the Children. My purpose is to give a voice to those who were never heard, considered, or named.

Looking at my work hopefully lets you, for even a moment, experience the sadness, the confusion, the heartbreak, the desperation, and the wretchedness shared in a single expression.

To their lives. Being at the mercy of the ones who own you and define your life. These wordless images of children born into slavery by virtue that their parents were already enslaved hopefully will speak to you through their ragged clothing, their eyes scared and sad beyond their years, and how sorrowful they seem. Their value is measured by the amount of cotton they can pick. All numbers on a page. Ask no questions. You have no voice.

My process for making this work involved lots of research on the internet. Perusing hundreds if not thousands of records of enslavers and their proofs of ownership, stories passed down from generation to generation, ship dockets, family histories, photographs, and actual recordings of former enslaved people.

Susan Johnson-Washington

I was born to a very proud and deeply rooted African-Canadian family. I draw from my musical and artistic heritage and display this in my multimedia art. Many of my works are painted in black and white, which has given me a deeper understanding of how the absence of colour doesn’t necessarily depreciate but can appreciate the values in my paintings.

I am a founding member of The Artists of Colour, established in Windsor, Ontario, in 2008, and I annually exhibit at McKenzie Hall. I have also exhibited at the Grey Roots County Museum in Owen Sound, Ontario, which hosts an “African-Canadian Art Exhibition” by the descendants of former slaves from the Grey County area.

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Edward Milo Johnson, See Me, Hear My Voice, 2019

Edward Milo Johnson, When Church Was Church, 2021

Edward Milo Johnson, Black Life, 2020. Narrated by Stacey Griffith.

About the Videos

Life challenges govern and direct a person’s earthly existence. Growing up as a minority in Canadian society presented many thought-provoking encounters. Parental guidance established a model of moral living and achievement through hard work and perseverance. Proper deportment allowed me to manage the countless racial inequalities I would face in life.

My Black History books, short stories, poetry, and writings endeavour to acknowledge today’s societal paradigm shift from moral living to a life governed by the pursuit of riches, social media, television, and radio; enhance people’s awareness and appreciation of the world; reveal racial imbalance; and advocate a consciousness of the basic needs of the disenfranchised. This acknowledgment could lead to a more charitable existence where all humanity is relevant and equal.

Edward Milo Johnson

Born in Colchester South, Ontario, Canada, Edward Milo Johnson attended Harrow Public Elementary School and Harrow District High School. He attained a Bachelor of Environmental Studies from the University of Waterloo (1972) and a Bachelor of Education from the University of Windsor (1973). Milo taught for the Greater Essex County District School Board for 32 years and retired in 2004.

Family genealogy and local Black history research led to the writing of six books: Grayer Family Genealogy, Johnson Grayer Genealogy, New Canaan: Freedom-Land, The Mystery of New Canaan, The Color of Freedom – Poetry and Writings, Three Sisters: Growing Up Black in Canada, and By Grace We Live: Poetry and Writings.

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Reflection Questions

1) What do you think the artists want you to understand about the world through their art?

2) Choose one artwork that stands out to you. How does this artwork make you feel? Why?

3) What connections can you make between different artworks in this display?

4) How does this display change the way you think about art?

This project was made possible with the support of the Ontario Arts Council and the Toldo Foundation.

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