Art Windsor-Essex respectfully acknowledges that we are located on Anishinaabe Territory – the traditional territory of the Three Fires Confederacy of First Nations, comprised of the Ojibway, the Odawa, and the Potawatomi. Today the Anishinaabe of the Three Fires Confederacy are represented by Bkejwanong. We want to state our respect for the ancestral and ongoing authority of Walpole Island First Nation over its Territory.
Advanced Search for the AWE Collection
- Home
- The Collection
- Advanced Search
Build your search criteria by selecting categories or entering text, then pressing the Add button.
To remove a criterion, click it from the list next to the Search button.
Press the Search button when the criteria are set.
Search Criteria
Search Results
David Milne, The Painting Place, 1930-31, three-colour drypoint on paper (edition of 3000-3100), 22.0 cm x 24.0 cm, Gift of Mr. and Mrs. James Green, 1971
David Milne, Hill Reflected, Bishop’s Pond, 1920, watercolour on paper, 55.0 cm x 46.0 cm, Gift from the Douglas M. Duncan Collection, 1970
David Milne, Storm Over the Islands No.4, 1951, watercolour on paper, 37.0 cm x 28.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Interior with Figure, 1925, watercolour over graphite on paper, 36.0 cm x 27.0 cm, Gift from the John A. and Thelma M. Jackson Collection, 1964
David Milne, Grain Elevator, 1942, drypoint on paper, 13/20, 29.0 cm x 26.0 cm, Gift of the Estate of Leslie Stibinger, 2002
No image available
David Milne, Weed Mines, 1917, watercolour on paper, 40.0 cm x 29.0 cm, Gift of the Estate of Leslie Stibinger, 2002
David Milne, Barns, 1931, drypoint on paper, /25, State II, 28.0 cm x 26.0 cm, Gift of the Estate of Leslie Stibinger, 2002
David Milne, Blue Sky, Palgrave, 1931, three-colour drypoint on paper, cancelled, 28.0 cm x 26.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Lake Placid, 1929, three-colour drypoint on paper, 1st state, 25.0 cm x 18.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Monkey and Tiger Lilies, 1924, oil on canvas, 51.0 cm x 41.0 cm, Gift of the Women's Committee of the Windsor Art Association, 1957
David Milne, The Bow in the Cloud, 1942, watercolour on paper, 56.0 cm x 39.0 cm, Gift from the Douglas M. Duncan Collection, 1970
David Milne, Pool and Birches, 1917, oil on canvas, 66.0 cm x 56.0 cm, Gift from the Douglas M. Duncan Collection, 1970
David Milne, Storm Over the Islands No.3, 1951, watercolour on paper, 37.0 cm x 27.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Waterfall, 1930, drypoint on paper, /50, 28.0 cm x 26.0 cm, Gift of the Estate of Leslie Stibinger, 2002
No image available
David Milne, Power House, 1937, oil on canvas, 61.0 cm x 51.0 cm, Gift of the Estate of Leslie Stibinger, 2002
David Milne, Queen’s Hotel, 1931, drypoint on paper, /25, State V, 28.0 cm x 26.0 cm, Gift of the Estate of Leslie Stibinger, 2002
No image available
David Milne, Fragment of a Study for “Snow Over Bethlehem, date unknown, watercolour on paper, 17.0 cm x 12.0 cm, Gift of the Estate of Leslie Stibinger, 2002
David Milne, Across the Lake, 1929, two-colour drypoint on paper,edition of 25, 27.0 cm x 19.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Still Water and Fish, 1941, three-colour drypoint on paper, edition of 33, State II, 2nd version, 28.0 cm x 26.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Main Street, 1942, three-colour drypoint on paper, state IV, 2nd printing, 27/40, 29.0 cm x 27.0 cm, Gift from the Douglas M. Duncan Collection, 1970
David Milne, Traffic at Night II, ca. 28 October 1941, watercolour on paper, 54.9 cm x 37.8 cm, Gift of Charles Christie Hill, Ottawa, in recognition of AGW Executive Director, Catharine Mastin, 2020, for her service to the AGW
David Milne, Storm Over the Islands No.2, 1951, watercolour on paper, 37.0 cm x 27.0 cm, Bequest of Frances Duncan Barwick, 1985
No image available
David Milne, Last Snow of Winter, 1947, watercolour on paper, 37.0 cm x 27.0 cm, Gift of the Estate of Leslie Stibinger, 2002
No image available
David Milne, Crystals in the Snow, 1937, oil on canvas, mounted on Masonite, 33.0 cm x 31.0 cm, Gift of the Estate of Leslie Stibinger, 2002
No image available
David Milne, Ice and Island: Snow, 1950, watercolour on paper, 55.0 cm x 37.0 cm, Gift of the Estate of Leslie Stibinger, 2002
David Milne, St. Michael’s Cathedral, 1943, drypoint on paper, 50/53, State VII, 29.0 cm x 27.0 cm, Gift of the Estate of Leslie Stibinger, 2002
David Milne, Outlet of the Pond, 1930, three-colour drypoint on paper,edition of 50, 28.0 cm x 24.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Blind Road, 1930, three-colour drypoint on paper, 5/50, 27.0 cm x 23.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Ship Channel, 1940, watercolour on paper, 51.0 cm x 36.0 cm, Gift from the Douglas M. Duncan Collection, 1970
David Milne, Adirondack Valley, 1941, colour drypoint on paper, edition of 26, 26.0 cm x 28.0 cm, Gift of Mr.and Mrs. J.D. Green, 1965
David Milne, Storm Over the Islands No.1, 1951, watercolour on paper, 37.0 cm x 28.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Main Street, 1942, drypoint on paper, 32/40, State IV, 29.0 cm x 27.0 cm, Gift of the Estate of Leslie Stibinger, 2002
No image available
David Milne, From the Painting House I, 1919, oil on canvas, mounted on Masonite , 46.0 cm x 36.0 cm, Gift of the Estate of Leslie Stibinger, 2002
No image available
David Milne, Waterfall, Black Tree (aka Big Moose Lake); painting on reverse Clouds and Mountains II, (aka Lake Placid), April 1925, watercolour on paper, 38.0 cm x 28.0 cm, Gift of the Estate of Leslie Stibinger, 2002
David Milne, Roofs, Glenmore Hotel, 1927, oil on canvas, 56.0 cm x 46.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Barns, 1931, three-colour drypoint on paper,State III, 28.0 cm x 25.0 cm, Bequest of Frances Duncan Barwick, 1985
David Milne, Carnival, Dominion Square, Montreal, 1924, oil on canvas, 51.0 cm x 41.0 cm, Gift of the Women's Committee of the Windsor Art Association, 1957
The AGW Collection Search database project has been developed with the support of
