Art Windsor-Essex respectfully acknowledges that we are located on Anishinaabe Territory – the traditional territory of the Three Fires Confederacy of First Nations, comprised of the Ojibway, the Odawa, and the Potawatomi. Today the Anishinaabe of the Three Fires Confederacy are represented by Bkejwanong. We want to state our respect for the ancestral and ongoing authority of Walpole Island First Nation over its Territory.
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Alan Wood, The Ranch Series Five–The Seasons #5–Nocturne, 1983, colour serigraph on paper, 194/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Five–The Seasons #1–Spring, 1983, colour serigraph on paper, 194/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Four–Horse and Cowboy #2, 1983, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Three–Soaring Birds #3, 1983, colour etching on paper, 199/200, 50.0 cm x 66.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Two–Structures on Site #4–Homestead, 1983, colour serigraph on paper, 194/200, 66.0 cm x 51.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series One–Towards Abstraction #5, 1982, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series One–Towards Abstraction #1, 1982, colour serigraph on paper, 195/200, 67.0 cm x 51.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Five–The Seasons #4–Winter, 1983, colour serigraph on paper, 194/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Four–Horse and Cowboy #5, 1983, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Four–Horse and Cowboy #1, 1983, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Three–Soaring Birds #2, 1983, etching on paper, 199/200, 50.0 cm x 66.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Two–Structures on Site #3–Haystacks, 1983, colour serigraph on paper, 194/200, 66.0 cm x 51.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series One–Towards Abstraction #4, 1982, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Five–The Seasons #3–Autumn, 1983, colour serigraph on paper, 194/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Four–Horse and Cowboy #4, 1983, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Three–Soaring Birds #5, 1983, colour etching on paper, 199/200, 50.0 cm x 66.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Three–Soaring Birds #1, 1983, etching on paper, 199/200, 50.0 cm x 66.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Two–Structures on Site #2–Ranchenge, 1983, colour serigraph on paper, 194/200, 66.0 cm x 51.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series One–Towards Abstraction #3, 1982, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Five–The Seasons #2–Summer, 1983, colour serigraph on paper, 194/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Four–Horse and Cowboy #3, 1983, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Three–Soaring Birds #4, 1983, colour etching on paper, 199/200, 50.0 cm x 66.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Two–Structures on Site #5–Geometry, 1983, colour serigraph on paper, 194/200, 66.0 cm x 51.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series Two–Structures on Site #1–Teepees, 1983, colour serigraph on paper, 194/200, 66.0 cm x 51.0 cm, Gift of Flora MacLeod, 1988
Alan Wood, The Ranch Series One–Towards Abstraction #2, 1982, colour serigraph on paper, 195/200, 66.0 cm x 50.0 cm, Gift of Flora MacLeod, 1988
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