Art Windsor-Essex respectfully acknowledges that we are located on Anishinaabe Territory – the traditional territory of the Three Fires Confederacy of First Nations, comprised of the Ojibway, the Odawa, and the Potawatomi. Today the Anishinaabe of the Three Fires Confederacy are represented by Bkejwanong. We want to state our respect for the ancestral and ongoing authority of Walpole Island First Nation over its Territory.
Brenda Francis Pelkey: A Retrospective
October 22, 2016 - January 22, 2017
Brenda Pelkey, Front Garden, Kim Kimberly, 1989, Cibachrome photograph on paper, 190.0 cm x 50.8 cm, Collection of the Art Gallery of Windsor, purchased with the Contemporary Art Fund and the support of the Canada Council for the Arts Acquisitions Grants program/ Oeuve achetée avec l’aide du programme de Subventions d’acquisition du Conseil des arts du Canada, 2016
The exhibition will be the first retrospective examination of Pelkey’s work and her first solo exhibition organized by the AGW since she moved to Windsor in 2003, where she has continued to develop her art practice addressing themes of feminist subjectivity. Pelkey came to Windsor from Saskatoon to serve as Director of the School of Visual Arts at the University of Windsor, a position she held until 2012. Today, she continues an active role as professor and an established artist working in Canadian contemporary art.
Over the past three decades, Pelkey’s works have been the subject of many solo and group-artist exhibitions in Canada and northwestern Europe, including: Museum of Photography, Helsinki, Finland; London Guildhall University, UK; Remai Modern (Mendel Art Gallery), Saskatoon; MacKenzie Art Gallery, Regina; Thames Art Gallery, Chatham; and the Dunlop Art Gallery, Regina among others. Her works are held in several major public collections including several of those listed above as well as: Canada Council Art Bank, Ottawa; Winnipeg Art Gallery; Confederation Centre for the Arts, Charlottetown; University of Saskatchewan; and the National Gallery of Canada, Ottawa.
A career-review as proposed by this retrospective is a timely undertaking to widen knowledge on Pelkey’s contributions to contemporary photography and to expand awareness of her work through public art gallery venues and the places she has lived in the Prairies, central Canada and the East Coast throughout her life. The exhibition will begin with a selection of her early documentary works from the Foundry project (1988) and include those major bodies of works which have since challenged the documentary role of photography to deploy the medium as one of rich social and psychological impact. Pelkey’s practice first demonstrated these latter concerns in 1989 when those photographs comprising the exhibition, the great effect of the imagination on the world (1988-89) were shown. Since then, Pelkey has continued to evolve these themes of psychic and social identity with photographs of landscapes, urban sites and people. The exhibition will reflect these projects to include selections from dreams of life and death (1991-94), Momento Mori (1994-96), Oblivion (1996-97), As if there were grace (1999-2000), Haunts (2000-01), Spaces of Transformation (2004-05), and her recent work addressing civic subjects such as provincial court room interiors (2005-08) and the Windsor Aquatic Training Centre under construction (2012-15).
This exhibition is supported by Canadian Heritage Museums Assistance Program through the auspices of the Access to Heritage Program
Territories: Brenda Francis Pelkey
Illustrated hardcover book; 192 pages; essays and statements by Ingrid Jenkner, Martha Langford, Nancy Yakimoski, Catharine Mastin, Nadja Pelkey and the Artist; available in both English and FrenchPrice: $40 (non-member), $35 (member), available at the AGW Visitor Services kiosk