Art Windsor-Essex respectively acknowledges that we are located on Anishinaabe Territory – the traditional territory of the Three Fires Confederacy of First Nations, comprised of the Ojibway, the Odawa, and the Potawatomi. Today the Anishinaabe of the Three Fires Confederacy are represented by Walpole Island First Nation. We want to state our respect for the historical and ongoing authority of Walpole Island First Nation over its Territory.
Claude Tousignant: Circles and Half-Circles
April 23, 2016 - June 5, 2016
Claude Tousignant, Chromatic Transformer, 1965, Liquitex on canvas, Purchased in memory of Pearce L.S. Lettner with the assistance of the Canada Council, 1978
Claude Tousignant has made measurable contributions to abstract painting since his earliest works of the 1950s. Now in his eighties, Tousignant’s legacy has enhanced understandings of colour reception to illuminate optical colour interaction and the elegiac beauty of large fields of colour for the eye’s enjoyment and study. Commencing in the 1960s, his use of the circle marked a crucial moment wherein he saw the possibilities of creating unique optical experiences. It was Tousignant’s circular transformers, gong and accelerator paintings of the mid-1960s which amplified his engagement in the optical effects of colour interaction through experimentation with concentric rings of colour. In the 1970s, Tousignant further challenged his painting practice when he began working in the diptych format with both the circle and the half-circle and began moving towards a minimalist approach. As seen through this focused exhibition of three major works in the AGW collection, Tousignant’s practice is a wide-ranging experience of colour and colours, and shape and shapes, revealing much about the power of the visual experience. His view is so seemingly simple in painterly rendering yet so infinitely complex to the human eye and its ability to process what is reality and what is illusion.